I grow fonder and fonder of Sarai everyday. Most of their books are on my reading list for the PhD thesis, which will hopefully involve a close collaboration with this very forward-thinking group. They seem to me like a welcome critical reading of euro-centric discourse, which we, the scholars in the peripheries must grapple with in terms of being able to understand our own complex social environments within the constraints of academic thinking and the legacy of European thought. We don’t need to necessarily break with European thought, but need to critique it, extend and expand it, share it, collaborate it so that we can forge a new form of thinking for the future.
Author/Editor : Ravi Sundaram
Using Delhiï¿½s contemporary history as a site for reflection, Pirate Modernity moves from a detailed discussion of the technocratic design of the city by US planners in the 1950s, to the massive expansions after 1977, culminating in the urban crisis of the 1990s. As a practice, pirate modernity is an illicit form of urban globalization. Poorer urban populations increasingly inhabit non-legal spheres: unauthorized neighborhoods, squatter camps and bypass legal technological infrastructures (media, electricity). This pirate culture produces a significant enabling resource for subaltern populations unable to enter the legal city. Equally, this is an unstable world, bringing subaltern populations into the harsh glare of permanent technological visibility, and attacks by urban elites, courts and visceral media industries. The book examines contemporary Delhi from some of these sites: the unmaking of the citys modernist planning design, new technological urban networks that bypass states and corporations, and the tragic experience of the road accident terrifyingly enhanced by technological culture. Pirate Modernity moves between past and present, along with debates in Asia, Africa and Latin America on urbanism, media culture, and everyday life.
This pioneering book suggests cities have to be revisited afresh after proliferating media culture. Pirate Modernity boldly draws from urban and cultural theory to open a new agenda for a world after media urbanism.